Becky Sue on May 3rd, 2011

Actually, I don’t think about Muscadet wine a lot. I’d rather it simply showed up in a glass so I could just drink it. So when I was given a chance to sample several Muscadets with oysters, of course I said yes. The SecondGlass people combined forces with Loire Valley Wines at a lunch in Boston yesterday, at the Island Creek Oyster Bar.

It’s a medium white wine, ranging from somewhat crisp to a bit fruity — elements in common with chardonnay and sauvignon blanc, meaning it can have tropical fruit, honey or grassy aromas. It’s not super-crisp, but has a strain of limestone citricity (is that a word?) running through it at the best of times, which makes it lively on the palate.

A classic pairing is muscadet and oysters – which really works. It was even more fun to have the Island Creek oysters with three choices for the first course, all in the $12-$14 range: 2009 Guy Saget “Les Clissaes d’Or” Muscadet Sèvre et Maine; 2009 Domaine de la Quilla Muscadet Sèvre et Maine; 2010 Domaine de la Louviere Muscadet Sèvre et Maine sur lie.

“Sur lie” means the wine is left on the lees, or the dregs of the yeast cells and other grape particulate matter – which sounds awful but imparts a depth of flavor to the wine. Until now, it was common to leave the wine on the lies for no longer than a few months. Now, there’s a movement to leave the wine there for 17 months, and new regulations have recently been proposed (expect an update in a year or so).

Muscadet, by the way, refers to an appellation, an area of the Loire region. It’s not a grape, but so many more people know the word muscadet and so few people know the name of this wine’s grape (Melon de Bourgogne) that muscadet is now a stand-in name for the grape.

Three more wines were served with bright green pea soup with poached oysters. These, all under $18, were Michel Delhommeau “Cuvée Harmonie” Muscadet Sèvre et Maine; 2009 Domaine de l’Ecu “Expression de Granite” Muscadet Sèvre et Maine; and 2009 Domaine les Hautes Noëlles Muscadet Côtes de Grandlieu. The best pairings for me were the first and third wines. The Michel Delhommeau started super-crisp, with the flavor almost disappearing on the palate, then finishing with lingering limestone. The Domaine les Hautes Noëlles had a big body that somehow lightened up with the food. Interesting.

For the final course, we had a few beautiful Scituate scallops with a sprinkling of gnocchi in brown butter sauce. The food was minutes old; the wines were at least a decade old. Most people think of Muscadet as a wine to drink young, but they aren’t all like that. We had three – and all were under $25 – each one a different hue of bright gold: 1995 and 1999 L d’Or de Luneau-Papin “Cuvée Medaillée” Muscadet Sèvre et Maine; and 2000 Domaine du Haut Bourg Muscadet Côtes de Grandlieu.

The 2000 Domaine du Haut Bourg was a combination of youth and evolution with a cantaloupe nose, crispness, chalk and limestone throughout. The 1995 was calm and serene, with butter and vanilla-yeast notes, while the 1999 was hearty, reminiscent of wet beaches on the nose, and a big, long finish. Each one brought out different notes in the food.

I guess that means I need to keep trying more Muscadets. It shouldn’t be too difficult. At least in Boston the whole month is Muscadet May.

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After a week tasting the great 2010 vintage Bordeaux wines en primeur, it’s no wonder I look like this!

Click here for a preview of the wines of:
Sauternes + Barsac
Graves region
St.-Emilion and Pomerol
The Medoc

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Becky Sue on March 30th, 2011

Sort of a cliché, but on St. Patrick’s Day while waiting for our corned beef and cabbage dinner to finish cooking, I got out the Irish whiskey. In this case, a special bottle: Bushmills 1608, created to celebrate the 400th anniversary of the original license to distill in the Bushmills area.
It’s a smooth whiskey (due in part to the “crystal malt”) that evolves in the glass. First you notice the spicy wood and sweet caramel which continue from the nose into the flavor of the tangy whiskey. A bit of water added to the glass emphasizes the aroma’s sweetness and caramel.
Drop an ice cube in, and the drink tastes smoky.
Smoothness and wood spice dominate in the finish.
This limited edition whiskey was available in the US in 2008; now you can only get it at the distillery — yet another reason to visit Ireland.

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Becky Sue on March 26th, 2011

One of my favorite things about Bertani, the Amarone producer, is that they make available their vintage Amarones from just about any year in the last half-century. Anyone can order one through the distributor, and the prices are in the $$ hundreds, not $$$ thousands – great for celebrating special occasions.

Recently, soft-spoken Bertani winemaker Cristian Ridolfi stopped in Boston for lunch, on his way back to Italy. Bertani produces a total 1.5 million bottles (125,000 cases) of about a dozen different wines all from their own vineyards. They don’t buy and they don’t sell fruit, emphasized export manager Stefano Mangiarotti, who was also at this lunch. But they could easily produce more than twice this amount of wine from their vineyards, if they weren’t so highly selective.

Bertani has not made any major changes in their winemaking since they started producing Amarone in the mid-twentieth century. Ridolfi still dries the grapes for 120 days, not just the required 90. He is convinced that this is what accounts for the longevity of the Bertani Amarone wines. Incidentally, he has also found that the anti-ageing compound resveratrol doubles in these grapes in the 120 days.

He is doing one bit of experimentation, this with the large wooden casks the Amarone matures in for six years. The winery is in trials with chestnut, acacia, and possibly more cherry wood, all sourced locally.

Ridolfi brought several Bertani wines, and several vintages of Amarone della Valpolicella DOC: 2003, 1998, 1980 and 1967. His favorite, he admitted was the 1967. Mine was the 1980. Bursting with life, this 30-year-old wine had huge fruit aromas. It actually smelled young. There was some minerality, a hint of bitterness to show that there was some structure here. The wine’s fruit flavors were well developed, continuing with prune and plum into the finish. Later, I found fresh herbs and a bit of eucalyptus coming out. Suggested retail price is $230.

The most astounding thing happened at the end of the meal. We had just finished our espressos when someone called for a toast. After raising a glass, a sip from it is required, so I did. And this wine from 1980 flashed out its flavors, firm with fruit, even after the coffee. I was impressed.

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Becky Sue on March 15th, 2011

Having just returned from the annual Sicilia en primeur event, I find myself swimming in impressions about what’s happening on this island. Or is it a continent on its own? The further from the mainland you get, the more you feel you’re on a separate continent, a crosswind of cultures set out in the Mediterranean Sea, the center of the ancient world. Every province has its own character, and the wines are no exception.

The newest standout is Etna, the province around the volcano, where wineries are springing up in this unique terroir, the winemakers lured by altitude, independence and potential. With red wines, producers make a range from international to modern unoaked to ancient styles.

The white wines of Etna really stood out to me, their aromatics, crispness and minerality providing a vivid expression of the volcanic soils the grapes are grown in.

Nearby is Sicily’s only DOCG: Cerasuolo di Vittoria, the wine a blend of nero d’Avila and frappato, two indigenous red grapes. The DOCG was created in 2005, and the wines I was tasting were well thought out, and well made. Nicely balanced. This blend is traditional to this part of Ragusa, in southeastern Sicily, but now that’s been made official, it’s changing – inevitably, I suppose.

From a native wine that was on the light side, ready to drink within a year, with the “cherry” notes its name evokes, the gravitas of the DOCG label is beginning to weigh the wine down, causing producers to think and rethink, to work on making it bigger and heartier. Instead of a wine that may age, pretty soon we may find this wine requires ageing.

Is this a good idea? Not necessarily. But it might be necessary if producers want to charge more now that they have that DOCG label around the neck of the bottle.
FOR MORE, listen to me on iwineradio.com

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Becky Sue on March 15th, 2011

Listening to people making plans for Vinitaly – the frighteningly large, annual Italian wine fair in Verona — reminds me that I met the organizers, CEO Giovanni Mantovani and Stevie Kim in New York this winter.
Along with Cristina Mariani-May of Banfi and Marilisa Allegrini of Allegrini Wines, they co-hosted fundraising events that culminated in a donation of $40,000 to the American Cancer Society. To mark the occasion, we all got to go to NASDAQ to ring the closing bell that day. I was thrilled!
Here I am, the 4th head from the right (blonde, with purple scarf)
NASDAQ closing bell January 24, 2011

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Becky Sue on March 8th, 2011


What’s going on in Burgundy right now? Here’s a photo Alex Gambal sent of the first day’s work in one of his newly-acquired vineyards – in the areas of Batard-Montrachet, Puligny-Montrachet and Chassagne-Montrachet.
He also bought a house “on the square in Santenay that will be turned into a guest and rental residence.” Hoping it’s ready next time I get to Burgundy…

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Becky Sue on March 2nd, 2011

I’m trying to remember the story of these little glasses. They came from the apartment of my friend’s mother. It was a pre-war co-op on Central Park West, always decorated in the earthtones she loved, mid-century modern with a 1960s artistic overlay. When the décor was new, I picture these glasses stowed in the freezer with the vodka, to be brought out when the opera singers and artists gathered there late at night, after a performance. They’d toss down shots of a clear, authentic Russian liquor, its harshness only tamed by over-chilling.
Now we have vodkas so distilled and/or flavored we mix them like chemists into dozen-ingredient cocktails. Tonight, for some reason, I brought out this glass for Absolut Wild Tea. It seemed like a sipping type of vodka, moderately flavored with oolong tea and elderflower. It has some sweetness but allegedly no sugar.
Now, if I could only figure out how to get a tiny ice cube into this glass…

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Becky Sue on March 2nd, 2011

Just caught up with Chateau Roubine’s Valerie Rousselle today at the “Provence in the City” aka Rosé wines tasting in Boston. In addition to her “new name” (as she describes her divorce) she has several new wines and a charmingly renovated, rentable house on the property, “in the midst of the vines,” she says. And there are cooking classes on Tuesdays.
Or if you only have a day in the area, feel free to bring your own picnic and spend a few hours on a self-guided tour of the vineyard, including the ancient Roman road that runs through the property.
I recall a wonderful dinner there some years ago, with guests as charming as the wine. The vineyards are sustainable, and to further cut down on the necessity for sulfites, they harvest at night, beginning at 2am in order to finish before the early fall heat of Provence takes over during the day.
Valerie is also planting more of the indigenous Tibourin grape, which is featured in her 2010 “Inspire” Cru Classé Côtes de Provence – 80% Tibourin, 10% Clairette, 10% Rolle — a touch smoky, deepening garden aromas, and plenty of body with lemony finish, a good food wine.

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Becky Sue on February 14th, 2011

I like the way marketing spirits and wines is changing. Instead of summoning the press to a morning seminar or mid-afternoon comparison tasting, some companies are demonstrating the way their wines or spirits fit into our lifestyle. They’re doing this especially for younger bloggers, I think, but it works for me.
Last week I went along to a dinner at Mooo in Boston, where the menu said we were “Guests of The Macallan Scotch.” And we were – guests.
Upon arrival, we were offered glasses containing small pours of The Macallan 17-year-old. We stood and chatted, nibbling appetizers, meeting the other guests.
After a time we sat down to dinner, and several entrée choices. We drank red or white wine with our meal, depending on our own preferences.
We ate, we conversed, we sipped our wines: it was a dinner party.
After the meal, there was another offering of several Macallan single malts — each in a different glass to avoid confusion. Along with more of the 17, a few mouthfuls each of the 12-year-old, 18-year-old, and finally the 25-year-old.
Instead of spending the evening analyzing and scribbling tasting notes, I relaxed and got to know some of the other people at the table. Then I sipped and considered the scotches.
The sum total of my notes for the evening was a short observation from early in the meal: “When I think of Scotch I think of earthtones, of mushrooms and brown things.”
My favorite? The smooth 25-year-old. I can remember that without copious jottings in a notebook.
A good lifestyle lesson, I’d say.

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